For 2 treble (alto) recorders and bass instrument with optional continuo.
These are remarkable and original works, with the most wonderful dissonances.
These four pavans have no instrumentation though it is reasonable to assume that violins were intended. Although the layout is similar to that of a baroque trio-sonata, the style is closer to that of the English tradition exemplified by Matthew Locke. (Matthew Locke [c. 1621 – 1677] was a family friend and, particularly with his semi-operas, probably also had a musical influence on the young Purcell. )
Although I have provided a continuo realisation, we should not automatically assume that a chordal instrument must be included.
Matthew Locke’s Little Consort of 1656 makes it clear that his pieces, also written for two high instruments and bass, could be played with or without harpsichord. Purcell’s bass lines are remarkably strong and expressive. At a pinch these pieces can be played on three recorders (2 treble and a bass), but an 8 foot bass instrument such as a cello, gamba or bassoon will be much more effective.
(adapted from editorial)
