All of Viadana’s 8-part Sinfonie are named after Italian cities. Often there is a specific connection to the city in question in the music: La Mantovana is based on a piece by Gastoldi, a leading musician in Mantova, and La Fiorentina is based on the Aria di Fiorentia (Ballo del Gran Duca).
It seems rather likely that the present piece is a conscious attempt to imitate the music of Orazio Vecchi, who was the most important musician from Modena: Viadana’s piece has a certain playfulness which is rather similar to Vecchi.
(Bernard Thomas)
Other titles from Viadana’s Sinfonie a otto voci (1610)
- La Bergamasca ↣
- La Bolognese ↣
- La Bresciana ↣
- La Cremonese ↣
- La Fiorentia ↣
- La Ferrarese ↣
- La Genovese ↣
- La Mantovana (and La Romana) ↣
- La Modenese ↣ (you are here)
- La Milanese ↣
- La Napolitana ↣
- La Padovana ↣
- La Parmigiana ↣
- La Piacentina ↣
- La Reggiana ↣
- La Romana (and La Mantovana) ↣
- La Venetiana ↣
- La Veronese ↣